This is where a scatterbrain arts and culture worker, activist and communicator exposes his private thoughts on diverse issues of interest to the collective of humanity. All opinions strictly personal unless otherwise stated.
Professor Wole Soyinka Unveils New Novel After Four Decades
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👆Presentation of Soyinka's CHRONICLES on TVC on Monday, Dec 7
Scene from the shows at Hebbel. 1. Giving Okonedo Omokaro a wack on te head for joking in the deep of cold, work-filled theatre rehearsal session 2. The cast of Oedipus and Amona.. during a media foto shoot at the Hebbel Theatre, Berlin. The tall singular black guy in the team is, of course, Matthias Gehrt who else do you think is pointing in the foto? INTRODUCTION AFRIKA PROJEKT was one of a series of proposals that the new Director of the Goethe Institut, Mr. Richard Lang, had to attend to in the last quarter of 1995. Certainly, before his assumption of office in Nigeria, the institute had made an indelible impact on the Nigerian cultural scene. Easily, it was a leader in the promotion of cultural internationalism in Nigeria using the arts, apart from other highly acclaimed programmes in the areas of science and technology. One thing Mr. Lang could ill-afford was to simply maintain a status. He seemed to be challenged by the records of the institute’s past and must be particu...
As had been stated elsewhere, only the Drama king himself could have pulled off the wild, morbid drama that attended the announcement of his own passing last week. Confusion reigned for nearly the whole week about the true state of affairs concerning the status of the evergreen master of the stage and screen; and not even the various clarifications by members of his family and his younger colleagues with whom he had been working when death called, could douse the terrible mix-up about the true state of his passing. Well, Sam Loco Efe, a grandmaster of the Acting vocation, transited to greater service last Sunday.
Perhaps, it was that short conversation last week between Biyi Bandele and myself in the thick of the First Lagos International Jazz Festival that has brought me to this conundrum. Otherwise, why would I all of a sudden be filled with the thought of the late Hubert Adedeji Ogunde, 18 years after his passage to higher service on April 4, 1990. Last Sunday after a soak in the classic jazz menu flowing from the guitar-riddled jazz ensemble led by Bright Gain, I had strolled over to the corner where Makin Soyinka, Lemmy ‘Radio’, Jide Bello and Biyi Bandele were reveling. I hadn’t noticed Biyi minutes earlier when I saw the group trooped to the venue of the Inspiro-organised jazz fiesta at Studio 868 on Aboyade Cole Street, VI, Lagos. It must have been the missing dreadlocks, of course. Okay, I had been hinted earlier on Mama Pako’s blogsite that Biyi had indeed jettisoned the locks for a skin-scraped look – in protestation against certain iniquities in world affairs… it must be the tibeti...
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